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Yes Man Single-Disc Edition Product: Buy Yes Man Single-Disc Edition At Amazon! List Price: $19.96 Amazon Price: $12.49 Click Here To See Amazon Sale Price Add to cart to see low price@ Availability: In Stock Usually ships in 24 Hours Free Shipping Available

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Studio: Warner Home Video Release Date: 04/07/2009 Run time: 104 minutes Rating: Pg13

• Amazon Sales Rank: #2549 in DVD
• Brand: Warner Brothers
• Released on: 2009-04-07
• Rating: PG-13 (Parental Guidance Suggested)
• Aspect ratio: 2.35:1
• Formats: Color, DVD, Full Screen, Widescreen, NTSC
• Original language: English
• Subtitled in: English, French, Spanish
• Number of discs: 1
• Dimensions: 5.00 pounds
• Running time: 104 minutes

Features

• Carl Allen has stumbled across a way to shake free of post-divorce blues and a dead-end job: embrace life and say yes to everything. Take a bungee plunge? Yes. Accept call-now TV offers? Yes. Learn Korean? Yes. Grab the first flight to anywhere? Yes. Win your dream girl? Yes. Crack up fans with a feel-good, laugh-loaded romp? Yes! Working every funny bone in his nimble body and every muscle in his

Invite Yourself to Yes and RSVP…Yes
Carl Allen (Jim Carrey) is a lonely guy. Carl is a loan officer who is real low on life and down in the dumps because of a break up. One day Carl heeds the advice of an old friend and goes to a self-help seminar. The motto “Yes is the new no!” If the movie’s title is any indicator, you know what happens for the rest of the film. He says yes to anything and everything, even an extremely generous granny.

Not very often a comedy comes out with a message worth listening to. “Yes Man” provides just that and exposes the audience to the powers of positive thinking. The movie itself is a montage of Carl saying yes to everything; Carl says yes to learning to speak Korean, Carl says yes to costume party invites from his boss, Carl says yes to flying lessons, and yes to a bar fight, which was one of the funniest scenes of Carl’s acceptance journey. Eventually, Carl’s yes-ery leads to a new love interest named Allison (Zooey Deschanel) and a promotion at work. And despite all the positive outcomes, Carl learns that saying yes doesn’t always necessarily take you in the right direction.

“Yes Man” is a lot of fun to watch. Carrey is on top of his game and is still as funny as always. To answer any questions: Yes the movie is funny. Yes it’s worth going to see. And yes you’ll enjoy it.

More than expected
I went to “Yes Man” with my 15 year old daughter just to pass the time, not expecting much based upon Jim Carrey’s latest failures. My daughter really enjoyed the movie and I was glad that I went. The movie is predictable, but still very entertaining. If you are a JC fan, then don’t pass this one up. I would highly recommend buying the soundtrack for the movie as well, it is very well done except for the glaring omission of the Journey song from the movie climax. See the movie, buy the soundtrack, you will be pleased.

“Yes” to a rental, “No” to a purcase
Jim Carrey is an iconic comedian. Like it or lump it, he has forever left his mark on Hollywood with films like “Ace Ventura,” “Dumb and Dumber” and “Man on the Moon,” but since the turn of the century Jim has been wasting away with duds like “Me, Myself, and Irene” and “Fun with Dick and Jane.” Granted, he’s put in some great dramatic performances during this time, notably “Eternal Sunshine”, but his attempts at diving back into the genre that made him a movie star have been unadulterated failures.

Where, then, does “Yes Man” stack up? Is it a worthy ode to the Jim Carrey that we all fell in love with in the mid-90s, or yet another film in which Jim Carrey appears to be doing an imitation of himself? I’m happy to say that while it falls somewhere in the middle, it’s certainly Jim’s best comedy since “Liar Liar,” and is actually fairly close to that movie in both concept and enjoyment.

Carrey plays Carl, a recently-divorced loan officer who has become all too comfortable with denying the requests of anyone, both at work and in his personal life. He has resigned himself to spending his time away from others, forgoing any and all opportunities that exist outside his palatial bachelor pad. He’s watched his ex-wife find love again, and while he clearly misses the feeling, he isn’t in the right headspace for finding it himself.

After a somewhat clunky opening act, Carl finds himself at a “Yes Man” seminar, during which he is told to “allow ‘Yes’ into his life.” After this bizarre presentation by Terrence Stamp, Jim reluctantly finds himself saying “yes” to whatever proposals come his way. He gives all of his pocket money to a homeless man, starts handing out loans at work with reckless abandon, and even takes up an elderly woman on an…offer.

Predictably, Carl’s life is rejuvenated, and he finds himself satisfied with himself for the first time in a while. Although the plot moves along pretty much how you’d expect, Carrey is in fine form here. The laughs come often and are sometimes of the gut-wrenching variety. Zooey Deschanel is delightfully droll in her role as Alison, the quirky foil to the often insipid Carl.

Before watching the film, the concept of saying “yes” to anything seemed to me like an excuse to throw Carrey into the most ridiculous predicaments imaginable, just to watch how he’d fair in such situations. But as the movie progressed I found myself thinking seriously about the concept itself, and how much value one could actually extract out of such a philosophy. The concept serves as a gimmick, sure, but it also provides a worthwhile commentary on apathy and how destructive it can be. Don’t get me wrong, this isn’t a film that will change your life, but the concept is smarter than one might assume.

As far as supporting roles go, the best performance of the entire film–one that I’d even recommend a viewing based solely on–is that of Rhys Darby, who plays Carl’s boss Norman. His character is much like his portrayal of Murray from “Flight of the Concords,” meaning that humor is derived solely from his New Zealand accent poured over amusing innocence. He had me in stitches every time he was on the screen.

Other than Darby, there aren’t any other notable performances to speak of. Bradley Cooper and Danny Masterson play Carl’s best friends, but their roles are very minimal, almost to the point of being irrelevant. They largely serve as the locus of Carl’s apathy, but little more. It’s too bad, as I like both of these actors, and I think the film could have benefitted from us seeing more of them (and Masterson’s killer ’stache).

Ultimately, the film was set up to succeed or fail on the backs of Carrey and Deschanel. Thankfully, they’re great, both apart and, especially, together. They had a chemistry that I wasn’t quite expecting. If you’re a fan of either, then I’m sure that you’ll enjoy “Yes Man.”

VERDICT: Rent It

Stream Tenjho Tenge - Round Three Movie Online. Movie Title: Tenjho Tenge - Round Three Average customer review: Tenjho Tenge - Round Three is available for streaming or downloading. Click Here to Stream or Download Tenjho Tenge - Round Three

Okay, I am going to be brief as possible as I could go on for miles about this series.

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First of all, the artwork is fabulous, and the opinion unhurried the anime is entertaining. There are even a few moments in it that invent you laugh. Unfortunately, that is where all of the suitable points slay. I have no conception what the creator “Oh! expansive” was thinking when he created this series, but it definitely was not rational. The characters in the series are awesome, but there is absolutely no place. All the creator does is throw the characters at each other and wail “fight!”

Even though that is dreadful enough, he ruins any chance for redemption when he spends half of the first season on “backstory”. Any apt writer/artist knows that spending an episode or two on backstory is comely, it adds to the place and allows for further character development. What you do not do, is utilize 10-12 episodes in an approximately 23 episode anime to talk about backstory that has tiny to no relevance whatsoever to the main tale. When it finally gets relieve to the main sage, you are left thinking, “What exactly was I supposed to learn from that? It never answered the expect the character asked in the first spot!”

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All in all, if you look anime and read manga solely for the purpose of looking at the artwork, then by all means collect this series. However, if you actually want to indulge in a qualified anecdote while appreciating Japanese art styles, stop away from this series at all costs!

Started off Strong, it had an worthy intro and basic characters but it got blueprint too off subject with tedious Japanese School political structures and not enough fighting or attractive space devices. There were instances where it looked as if there was going to be some serious action but they impartial talked it to death. My Celebrated scene when Sechiro and the “Nice Guy” were fighting ing the lunch room, #1. punches were stopped with chopstick, 2. lots of punches and killer techniques and #3. When the street punk old-fashioned a dirty trick to distract his opponenet. Lets impartial say he pays the mark for his dishonorable tactics.

Overall I would have to give this series a 3 out of 10. Fair neflix the first 2 discs and call it a loss
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Sol Bianca - The Legacy #3: Going Home Streaming. Movie Title: Sol Bianca - The Legacy #3: Going Home Average customer review: Sol Bianca - The Legacy #3: Going Home is available for streaming or downloading. Click Here to Stream or Download Sol Bianca - The Legacy #3: Going Home

Sol Bianca doesn’t have grand novel in the scheme of area (this review is probably longer than the movie) and the characters are aesthetic familiar, but a few small things area it apart, and above all else, Sol Bianca is reliable used fashioned fun. The storyline itself is almost non-existent: You’ve got some set pirates, they benefit out a kid, they blow up the poor guys. That considerable is certain. But one thing that I understanding was actually kind of funny about the dwelling is that the pleasurable guys really weren’t all that colorful, and even the dreadful guy was unbiased a two-bit dictator on a backwater planet. Instead of using all these clever plans to outsmart a vastly well-behaved enemy and score away with it, the five women’s general strategy was to unprejudiced promenade into a location and choose either their physical prowess or really impressive hardware would acquire them out of it (which worked ravishing well for them) . Fans of more quick-witted action movies will probably be annoyed by this, and even I was a tad keep off by some of the outrageous moments of good-guy supremacy, but at least the account wasn’t really unrealistic–it’s unbiased that nobody was very clever. (Actually, I sort of enjoyed the underpreparedness of the Sol Bianca’s crew.)

But a functional if a bit dim-witted position isn’t what caused this one to gather any awards (which it did), or what made it memorable. One of the things that stands out (and most likely the reason it was so common in its time) is the action. It’s not the fastest or most moving action I’ve ever seen, but it’s ravishing darned reliable. There’s a ample airborne perambulate, plenty of gunfights (with pistols that may glimpse runt but pack enough of a wallop for a bazooka), a couple of slick position battles, and my personal all-time second-favorite anime weapon (for my accepted, gaze Project A-ko) : a laser sniper rifle with enough range to seize people off from orbit (which is exactly what Feb does with it) . When it gets going, the action is so powerful fun, you’ll probably wish there was more of it–my only sincere complaint is that the whole thing was over too speedily, but you can’t have everything. And speaking of all those cold guns, another thing that stands out in Sol Bianca is the technology. There are the above mentioned archaic-looking (but super-powerful) pistols and laser rifle, well-kept laser whips, and the Sol Bianca itself, with an onboard park, dimension diving capability, a variety of bewitching weapons, and a generally current produce. There were a few additional touches that were nice, like the fact that the people of Tres were really substantial.

I really loved the scamper sequence and the technology, but those aren’t the steady reason Sol Bianca stands out in my anime collection. There were two other things that situation this one out from the pack for me. A lesser feature was that the record had that air of there being more to it than we’re being told. There were a few things that showed up and were never fully explained, and a couple of points (like the origin of the Sol Bianca) that you got the feeling there was more to than we were being told. I savor that sort of storytelling, and although there was a LOT more of it in the sequel, this movie had a bit too. But, the one thing that really status Sol Bianca apart in my mind was the characters. They more or less fit into standard molds, but they were clear and there seemed to be fair a slight more to them than impartial stereotypes. Not that they were masterworks of subtlety or something, but they were a exiguous more three-dimensional than I was expecting, and there was a dynamic with the group that I enjoyed. Also nice was that they seemed a bit more realistic than standard action anime characters; they may have been state pirates, but I caught a whiff of “realness” to them that I found entertaining. Past that, I can’t really set aside my finger on what it is that I like about the group, but there is something, and after I saw the sequel (which, if you like the characters, I recommend), I felt vindicated–that movie definitely confirmed that whatever it was I liked about the characters in this one wasn’t an accident.

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The final fragment of the appeal of Sol Bianca, and probably what distinguishes it above all else, is the visuals. The character designs are dazzling, memorable, and unusual; in keeping with the somewhat surprising realism of their personalities, they also looked more realistic than most anime, with almost realistically proportioned eyes. The rest of the world, though not quite as superior, also has a definite stare to it, with a few nice locations and some super mechanical develop (the Sol Bianca in particular was really frigid) . Unfortunately, the animation isn’t terribly serene, but some of the character animation was well done, and the action sequences looked slick for the most piece.

The acting in this one stood out, too. The few minor parts weren’t mighty at all, but Batros was very well cast and voiced with a reliable amount of flair by Aono Takeshi, and the five women were all determined and solidly acted. There may not have been great in the plan of drama, but there was a sense of normalness to the acting and voices of the five women that I notion was quite entertaining (to be objective, this is one of my all time celebrated anime casts), and it also area them apart from a lot of anime heroines. It also went quite a procedure toward making them believable, as I mentioned above. Stamp, though, that ADV’s creative translation bears fraction of the responsibility for some of the overly sentimental or awkward dialogue (not to mention a lot of profanity, though not really out of character) . The music wasn’t particularly critical, but there was a decent action theme that showed up a couple of times, and I concept the destroy theme was quite sparkling.

In all, it may not be higher cinema, and it’s not even the greatest action flick you’ll ever witness, but Sol Bianca isn’t dreadful, either; it has plenty of action, chilly technology, very new character designs, and even characters that feel a runt deeper than the archetypes they’re based on. And, if nothing else, Sol Bianca is fun.

The execute of the ship, the system in the ship, and the angel’s appearance caught my imagination since the first time I watched this Sol Bianca. As the last serie of the Sol Bianca The Legacy, the ending legend is well plotted and let’s say, it makes your heart out.

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Not to mention the energetic (I mean it!), ENERGETIC Theme song called ‘To Be Free’, sung by Stella Furst, kind of a mix of Jazz and classic rock music. I objective wish to glean it’s CD Soundtrack.
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Stream The Waterboy Movie Online. Movie Title: The Waterboy Average customer review: The Waterboy is available for streaming or downloading. Click Here to Stream or Download The Waterboy

Personally, I loved this movie! Adam Sandler, Henry Wrinkler, and Kathy Bates were all astounding! However, I do have a predicament with other reviewers who insulted this film. It is not the film that I have a plight with you insulting, it is the people who watched the film and enjoyed it! I have read at least eight reviews with “critics” derogating the intelligence of an audience of people they do not even know because we enjoyed a movie they did not! Hint: Have you all ever heard of “variety” and “diversity”? If you didn’t like the movie, dazzling. You have that true, I and many others, however; loved it!

I am not dead or a “nitwit” as one viewer save it. I am simply an indiviual with an individual mind and conception. I laughed because I concept it was comic…that does not beget me listless.

I (and I am distinct many other viewers) don’t analyze every single aspect of a movie and rule it the worst movie of all time simply because it didn’t fit my criteria of what I am “bid” to feel and what I am “yell” to be thinking.

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It was a qualified solid comedy that showed a different side of Henry Wrinkler and Kathy Bates that I was very impressed with. Also, I don’t judge this comedy was “empty” or “mindless”. It offered some insights on life’s philosophy’s, but it unbiased didn’t do it in the feeble “movie” intention.

Hats off to the entire cast of Waterboy especially the writers of it!

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I wasn’t definite if I was going to like this movie because I understanding it was going to be another tacky and tasteless movie by another “Saturday Night Live” alum. In “The WaterBoy”, Adam Sandler is the “SNL” alum. However, I liked this movie and actually idea it was beautiful humorous. Adam Sandler plays Bobby Boucher, a dimwitted waterboy for the University of Louisiana’s football team. Bobby Boucher lacks social skills and is always ridiculed and picked on by the football players. After having had enough of Bobby’s stupidity, Coach Red fires him. Bobby Boucher immediately seeks another waterboy station and gets hired by Coach Klein (who heads South Central Louisiana Station University’s football team) . Soon, this crazy coach puts Bobby on the team when he sees how distinguished Bobby becomes when he gets mad (”tackling fuel” as Coach Klein puts it) . Now that Bobby is on the team, he helps them fade from last region to first position. He also gets the chance to go to college and improve his social skills with his new-found friends. This movie was qualified because Bobby Boucher was an inspiration to his fans, his teammates, and most importantly, to Coach Klein. Bobby inspires Coach Klein to stand up against his long-time arch-rival (Coach Red) who stole his treasured book of game plans in order to bag the head football coach station at the University of Louisiana. Coach Klein finally stands up against Coach Red and regains his manhood. This movie was also ample because it contained lots of droll supporting characters like Bobby’s crazy, in-and-out of jail girlfriend Vicki Vallencourt, a coach that talked gibberish, Coach Klein (played by Harry Winkler), and Mama Boucher (played by Kathy Bates) . Kathy Bates gave a terrific, humorous performance as Bobby Boucher’s overprotective, if psychotic, mother. Harry Winkler also gets respectable mention for giving a silly performance as the crazy and hallucinatory Coach Klein. Of course, kudos go to Adam Sandler for playing a character that was comical, lovable, and sympathetic. “The WaterBoy” was short and to the point and it managed to be laughable without falling into the retarded or the grotesque.
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Matt, a young glaciologist, soars across the vast, silent, icebound immensities of the South Pole as he recalls his love affair with Lisa. They meet at a mobbed rock concert in a vast music hall - London’s Brixton Academy. They are in bed at night’s end. Together, over a period of several months, they pursu a mutual sexual passion whose stages unfold in counterpoint to nine live-concert songs. Featuring nine live concert performances not available anywhere else by Black Rebel Motorcycle Club, The Von Bondies, Elbow, Primal Scream, The Dandy Warhols, Super Furry Animals, Franz Ferdinand and Michael Nyman. Special features include a Concert Performance-only option.

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I’m probably going to bag censored, worthy like the title of the recent film, but DON’T Exertion, because THIS IS THE Burly UNCENSORED FILM and yes, it has the Fresh OPENING. This is 100% Boss Nigger…and it’s titanic.

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I’m white, and this film is all about Boss killing whitey, but it’s a friendly western either design. I admire it. It’s too dreadful it took so long for this to glean a gracious release, but finally it happened and I’m very very pleased. It’s the best transfer of this often ignored film you’re ever going to notice. Prefer IT!

If you like Westerns and want to know what it was like in those days this is a grand movie to recall. Sterling acting, decent memoir, and even has some silly lines! Gargantuan assume!
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Deranged/Motel Hell Streaming. Movie Title: Deranged/Motel Hell Average customer review: Deranged/Motel Hell is available for streaming or downloading. Click Here to Stream or Download Deranged/Motel Hell

Cannibals, necrophiles, and murderers, oh my! I contain many of the MGM Midnight Movie releases, and I have to say, these two films together certainly combine to develop the most unpleasant release to date.

Deranged (1974) aka Deranged: Confessions of a Necrophile, was co-directed by actor Jeff Gillen (he played Santa Claus in the classic Christmas Account film released in 1983, “You’ll shoot your witness out, kid.”) and writer Alan Ormsby, who also wrote the film, along with other films like My Bodyguard (1980), Cat People (1982), and Porky’s II: The Next Day (1983), is based on the contaminated moral life events of reclusive Wisconsin farmer Ed Gein, convicted of necrophilia, cannibalism, and abolish, bewitching films like Psycho (1960), The Texas Chainsaw Massacre (1974) and Silence of the Lambs (1991) and others. The film stars perennial mature timing character actor Robert Blossoms as Ezra (Ez) Cobb, whom I best remember from the John Carpenter film Christine (1983), as George LeBay, the broken-down timing man who sold the nerdish Arnie Cunningham the possessed car.

The film starts off with an on-screen narrator giving us some exposition about Ezra, who lives a unexcited, solitary life caring for his deeply religious, domineering and bed ridden mother, who instills within Eddie the idea that women, in general, are foul and sex is bad. After her death, Ezra is left alone, and becomes heart-broken. So remarkable so he digs up his mother more than a year after her burial (yuck), and brings her home. He soon begins finding fresher corpses, by following the obituaries, for all kinds of uses (double yuck) . Soon his compulsions fade from uninteresting corpses to living victims. His secluded house becomes a shrine to all things dreary. But in limited towns, missing women are very worthy noticed, and soon people launch following the fairly certain roam left by Ezra, and study a legal American Psycho in their midst.

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The production values within Deranged are all that ample, but, as another reviewer stated, this actually worked for the film, giving it a gritty, realistic feel. Blossoms was truly creepy with his gaunt features, creepy, awkward stares, and child-like demeanor, one who has depended on another for guidance and now finds the solitary existence after his mother’s passing too distinguished to enjoy, snapping his already worn will, emanating in nightmarish behavior. What was really provocative for me was how noteworthy I was drawn into the film, and then terrorized out of it by the occasional appearance by the on hide commentator, relaying information aspects of the epic as it continued to unfold. The film does accumulate pleasing graphic, but not to the point of showing worthy of the more frightful crimes comprising the true-life events. There are three version floating around, ones running 78, 82, and 84 minutes. This one runs 82 minutes, and is missing a scene, as stated by other reviewers.

Motel Hell (1980), directed by Kevin Connor, who also directed films like The Land that Time Forgot (1975), At the Earth’s Core (1976), and The People that Time Forgot (1977), tells another horrific record with a cannibal slant, but unlike Deranged, Motel Hell dishes out a heaping helping of dusky comedy, making for a more delectable glimpse (pun intended), in my understanding.

The film stars Rory Calhoun and Nancy Parson as Vincent and Ida Smith, brother and sister who bustle the out of the map Motel Hello (the neon letter o at the destroy of Hello flickers on and off) and also create locally eminent Farmer Vincent’s Smoked Meats, “It takes all kinds of critters to execute Farmer Vincent’s fritters.” What makes their meats so accepted? It’s a family secret, but know it involves the kidnapping various passersby Vincent manages to ensnare in any number of traps he sets on the isolated road approach the hotel. What happens to these unhappy victims? Well, you really have to stare it to contain it. I’ll give you a hint…finish out of the `secret garden’, by all means. After shooting out a tire of a couple on a motorcycle, an older man and a younger woman, Vincent takes in the woman, and with the relieve of his sister Ida, they nurse the woman abet to health. The woman, who knows not of the strange methods in Vincent and Ida effect their meats, is thankful and even develops a relationship with Vincent, leading to impending nuptials. And what happens when she finally discovers their secret?

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As I said, there is a salubrious amount of shadowy humor mixed with the dismay, and the film was a lot less visceral than I view it would be…the methods passe to `fatten’ up and support the victims before their `harvesting’ was quite disconcerting. Rory Calhoun presents such a top-notch image throughout most of the film, reminding me of Jed Clampett from the Beverly Hillbillies, but incandescent what you know as the chronicle unfolds, it makes it all the more imperfect. Glimpse cameos by the legendary radio personality Wolfman Jack as an evangelical television preacher and John Ratzenburger of TV’s Cheers as a drummer of an ill-fated rock band. I especially like the S&M couple that halt at the motel, thinking they’re in for a true kinky experience, only to catch that they are uninteresting unfriendly. And the tearful admission by Rory Calhoun at the raze is definitely worth sticking around for…

Both films gaze ravishing excellent, with Motel Hell looking not quite a kindly as Deranged, and both are presented in wide cover format. This is a two-sided disc, with the each movie occupying one side, and special features include theatrical trailers and English subtitles. I’ll leave you with one of my more popular lines from Motel Hell as spoken by Farmer Vincent to his young fiancé…’I'm gonna yell you the frail art of smokin’ meat.”

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Another enjoyable double-feature tidbit from MGM, this DVD features two awe movies with cannibalistic themes: DERANGED (1974) and the cult classic MOTEL HELL (1980) .

DERANGED:

There are several movies whose writers claim that the films were inspired by the famous Wisconsin necrophiliac and purported cannibal Edward Gein–PSYCHO (1960), THE TEXAS CHAINSAW MASSACRE (1974), and THE SILENCE OF THE LAMBS (1991), to name a few–but only DERANGED comes cessation to reflecting Gein’s gross true-life activities. For those who don’t already know, Ed Gein was a backwoodsy Wisconsin farmer who, during the 1950s, raided cemeteries and detached various body parts from the corpses. He is known to have made clothing and household items from the preserved skin and bones of his “trophies,” and it was reported that he also ate some of the flesh (though this was never substantiated) . Gein was caught and arrested in 1957 after actually killing the proprietor of a hardware store, then taking her body to his barn and preparing it in the manner of a hunter dressing a deer.

In DERANGED, the principal character is named Ezra Cobb, and though a lot of the real-life necrophilic and cannibalistic acts have been toned down for the script, Cobb is tranquil a fairly right reflection of Edward Gein. To obtain these ghoulish themes a exiguous more savory, scriptwriter and co-director Alan Ormsby mixes in lots of gallows humor. In addition, the over-the-top performance of award-winning character actor Roberts Blossom, as Ezra Cobb, adds some jocularity to the film, but never goes so far as to diminish the overall dread.

Like Tobe Hooper’s THE TEXAS CHAINSAW MASSACRE, which was released the same year, DERANGED opens with an attempt to convince the audience that what they will soon scrutinize is the gospel truth. But instead of having a mere voice-over and some scrolling transcript, DERANGED takes it a step further with a phony news anchor who introduces the film as if it were a docu-drama–a very effective blueprint for getting the audience into the fair mind-set.

If you like raw, true-to-life anxiety, or if you’re fervent in films that are inspired by homely real-life crimes, you’ll like DERANGED. You’ll also appreciate the film if you’re the type of fan who likes his scare played tongue-in-cheek. Non-genre fans may be a bit assign off.

MOTEL HELL:

Farmer Vincent Smith and his loopy sister, Ida, are the proprietors of the Motel Hello (the last neon “o” is often burned out), next to which is a exiguous meat-processing factory that they also bear and operate. The meat products they manufacture and peddle are actually more celebrated than the Motel–and more lucrative. Indeed, people reach from all over the country to to satisfy their hankerin’ for Farmer Vincent’s meats.

Customers frequently comment on how the Smith’s meats have a appetizing but distinctly original flavor, and they are always trying to pry the secret from Smith and Ida. Is it the device they process it? Is it some exotic seasoning? Or is it the draw they raise or butcher the animals? Farmer Vincent says that he uses no preservatives, and it’s the all-natural ingredients that invent the meat taste soooo yummy. But as a highway billboard declares, “It takes ALL kinds of critters to manufacture Farmer Vincent’s fritters.” An’ when it says ALL, it ain’t lyin’! Under shroud of night, Smith and his sister frequently shanghai society’s undesirables as they are passing through town, and…well, that ain’t unprejudiced beef and pork in them fritters!

MOTEL HELL isn’t unprejudiced a awe film; it’s also a sunless comedy. The position is goofy but fun, and the dialogue is sometimes scandalous, yet clear scenes can really raise the hair on the benefit of the neck. It’s a mixture that works well here, and it’s hard not to become engrossed. Fraction of the reason it plays so well is, of course, the acting. Used actor Rory Calhoun is perfectly cast as Farmer Vincent Smith, as his straight-faced delivery only adds to the hilarity of the script. Sister Ida is played by Nancy Parsons, an award-winning character actor who has proven to be quite adept at both comedy and drama, having appeared on TV in soaps and shows like BARETTA and THE ROCKFORD FILES, and later in films like PORKYS (1982) and STEEL MAGNOLIAS (1989) . She does an outstanding job in MOTEL HELL, deftly making Ida’s persona switch serve and forth between an uproariously droll country hick and a downright ugly murderer.

Throughout MOTEL HELL, there are several witty and mischievous nods to countless scare classics. And alert viewers will be able to position a few well-known faces, including the unhurried Wolfman Jack, a 1970s radio personality and obsolete host TV’s THE MIDNIGHT SPECIAL; John Ratzenberger, better known as Cliff the postman on TV’s CHEERS; Elaine Joyce, veteran wife of the slack Bobby Van who is currently married to playwright Neil Simon; Monique St. Pierre, German beauty who was the 1979 PLAYBOY Playmate of the Year; and the slow Hollywood stuntman Everett Creach.

Horror fans and those who relish gallows humor will cherish MOTEL HELL, as will fans of the kinds of movies that customary to prove up on local late-night TV. Others, including those who don’t devour the art of campy humor, may honest mediate it’s humorous.
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Watch The Dark Knight: Limited Edition with Batpod Online. Movie Title: The Dark Knight: Limited Edition with Batpod Average customer review: The Dark Knight: Limited Edition with Batpod is available for streaming or downloading. Click Here to Stream or Download The Dark Knight: Limited Edition with Batpod

Ok, the movie is a 5 star, this is a petite info on the case and bat pod if anyone is animated about it size. We have it at work and I have already seen it. It is actually VERY microscopic, the case and the bat pod. The bat pod is maybe 4″-5″ long, and the case is unbiased a bit larger then the blu rays. I was expecting a bat pod the size of the one available at in the toys at most stores which is 10″-12″ long.

AT $50+ dollars, I would salvage the Bluray 2 disc and the $20 12″ bat pod, which s a grand better bat pod and value in my thought.

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Let’s net one thing out of the way: this movie is terrific. Easily the best superhero movie ever made. Yet my basis for this review is the Puny Edition Batpod case. Although it’s exquisite slight, the batpod does view wintry while the logo tedious contains the discs itself. However, the batpod cannot be removed from the stand since it’s attached permanently, and the logo case is actually mandatory. Not major faults, but I would’ve liked to have the standard Blu-Ray casing, which features a “Jokerized” description of the movie such as the words “HAHA” written all over the case as well as a smile drawn over Batmans relate. Overall, this is a new item, but it’s one I could’ve lived without.
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Watch The Field Online. Movie Title: The Field Average customer review: The Field is available for streaming or downloading. Click Here to Stream or Download The Field

Richard Harris is absolutely outstanding in this film. No wonder he got an Oscar nomination. This film about pride and struggle keeps you rivited from beginning to raze. And a dusky, frantic, tragic demolish it is.

Sean Bean plays Harris’s son, and he is very effective as a somewhat dimwitted fellow who is cowed by his worthy and stubborn father. Brenda Fricker (as Bean’s mom and Harris’s wife) is heavenly too. And John Pain plays an comic gap-toothed buddy with sizable humor! He was a particular celebrated.

Tom Berenger as “The American” gives a exquisite performance as well (he did a pleasurable “East Glide” accent), but it’s discouraged that his character’s motivations in buying the field are not more clearly defined–it would have helped elaborate more of the status.

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Beautiful scenery, and a large secure by Elmer Bernstein add powerful to this film as well! However, closed captions definitely were needed in this movie. The accents are too thick for American ears. (Except for Berenger’s accent, of course!) I don’t understand why this film was not subtitled or closed-captioned. Not only do the hearing impaired need the captioning, anyone who has inconvenience with the thick accents will need it too. What gives?

An noble film. Depressing and dramatic, but it keeps you thinking after the film is over. Richard Harris is *amazing*. What a treat to ogle him shine in such a diagram.

In order to understand Jim Sheridan’s dazzling film, The Field, based on the play by the same name by J.B. Keane, it is useful to know some of the Irish history that relates directly to this tragic tale.

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A shrimp less than 800 years ago the English first came to Ireland and initiated a uninteresting but sincere conquest of the island and people. By the 19th century the catholic Irish had lost most of their land and their freedom to the protestant English. The broad Irish statesman Daniel O’Connell made modest progress in winning some liberty for the Irish catholics in the early share of the 19th century. Unfortunately, the Gigantic Famine, which began in 1845 and lasted until 1848, killed a million or more Irish people who were dependent on the potato, which suffered from a disastrous blight. Two million more people fled the island to foreign shores, America being one preferred destination. A population of approximately eight million people was reduced by about 36%. The Irish never forgave the English for allowing this large tragedy to occur. The ill effects of this anxiety lasted well into the 20th century.

In the film The Field, “The Bull” McCabe (Richard Harris), a tenant farmer in a shrimp town in southwestern Ireland, mentions the famine and its after effects several times to interpret his upright to rob the field that he and his family have given their appreciate and labor for generations. The English woman who owns the field has assign her property up for auction and an American, Tom Berrenger, appears ready to outbid McCabe for the field. McCabe will not permit what he perceives to be a miscarriage of justice.

Buy,Download, Or Stream The Field! Click Here

Buy,Download, Or Stream The Field! Click Here

Against him are the American and his ally, the local parish priest. McCabe does his best to reason with these men and clarify why he feels he has a fair to the field. McCabe mentions the Mammoth Famine and the sacrifice his family made to remain in Ireland to rebuild a devastated society. This field represented not only McCabe’s life, but life for his posterity. The priest and the “Yank” are unmoved by his arguments so McCabe takes the law into his occupy hands with disastrous consequences for him, his wife, and his son.

This handsome film gives us a chance to learn grand about the Irish people and their culture. The importance of the land, the power of religion, the hatred of the English, the poverty of the people, and the loss of Irish youth to emigration are fair of few of the themes touched on as the legend develops.

The Field was made in Ireland and the beauty of the land is everywhere evident, in stark disagreement to the meanness of the lives of the people who live there. We don’t need to be Irish to be moved by the desperation of McCabe and people like him trying to eke out a living by their unremmiting labor.

The Field is less an entertainment and more an education for those people wanting to rep some insight into the lives of the Irish farmers living in the first half of the 20th Century. I have watched this film several times with sizable interest as well as appreciation for Jim Sheridan’s beautiful work. Highly recommended.

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A blind Asian-American woman lives with her son and his wife, a woman she is constantly at odds with. When an old family friend, who was sent to prison for murdering his father, breaks in holding the wife hostage and accusing the blind woman’s dead husband of being the real killer, a family’s deepest, darkest secrets are revealed. In this gripping psychological drama nothing is ever as it appears to be.

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Blindness was cheerful! You have to plunge this movie! A unheard-of performance by Vivian Wu & Joe Lando make Blindness a “need to appraise” movie!

The stupendous cast includes Vivian Wu, Joe Lando, Chin Han, Lisa Lu, Nanea Reeves. This cast just make Blindness the more breathtaking!

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